The LOSERVILLE TOUR , conceived by Limp Bizkit , the main attraction, transformed Allianz Parque, last Saturday, December 20th , into a true experience of heavy, experimental, and urban music at the end of 2025. The mini-festival format brought together names that cross generations, ranging from British metal to American reggae-rock, from innovative alt-rock to trap-metal and eccentric hip-hop, offering the public a sonic panorama between old school and contemporary in the same line-up.
Slay Squad begins by showcasing their ghetto metal style.
Slay Squad 's performance brought energy to the audience arriving or circulating around Allianz Parque in the early hours. The Californian band is known for its aggressive style, which fuses elements of a genre called ghetto metal , a mix of metalcore, hardcore, trap, hip-hop and industrial elements, creating a raw and relentless sound that instantly provoked reactions from the audience, who soon started a mosh pit.
On stage, Slay Squad emphasized a sound that is both visceral and brutal, with aggressive vocals, distorted guitars, and beats reminiscent of metal's ferocity but with the attitude of rap – clearly inspired by Body Count. As hip-hop attitude shows, this fusion by Slay Squad is not only aesthetic but also representative, with attitude and protest lyrics where genre boundaries are constantly challenged and remixed to create memorable live experiences.
Although lacking the same long trajectory as some of their festival colleagues, the band already has a presence on important stages in the United States, with two albums released, Stick to the Plan (2016) and Souls For The Feast (2016), which solidified their aggressive sonic identity. The group delivered an impactful and unforgettable show, especially for fans seeking maximum intensity before the night's headliner.
Riff Raff brings irreverence but fails to captivate the audience.
The second artist to take the stage was the one who least pleased the audience. After the heavy energy and attitude left by Slay Squad, the Texan rapper Riff Raff brought a vibrant and unexpected contrast to LOSERVILLE with his extravagant aesthetic and irreverent lyricism. The artist mixes hip-hop, trap, EDM and a synth vibe, with a curious sense of humor. His stage presence is good, marked by rare moments of high energy and performances that encouraged audience participation, but it wasn't enough. Despite the receptive audience, the show was lukewarm.
Perhaps because of the sound, which is quite different from rock or metal – the dominant styles at this festival. Riff Raff represented the more experimental side of the event, with a sound that even pleased those who like synthesizers and an 80s video game vibe, but still, the artist delivered the least enjoyable show of the festival. The festival is a celebration of sonic diversity, but perhaps they went overboard in choosing this artist – who would fit much better in other festivals for a younger trap and hip hop audience.
Ecca Vandal: The revelation of contemporary alternative rock.
Ecca Vandal 's performance was one of the most anticipated moments. The South African artist (who began her career in Australia, where she moved as a child) has stood out for her approach to alternative rock, blending punk attitude with electronic music, hip-hop, and soul sounds to build a sound that is both raw and original. Her career began to gain attention with her debut album, Ecca Vandal (2017), recorded independently and praised for its raw energy and originality.
For the first time in Brazil, Ecca Vandal brought a contagious stage presence, captivating the audience by wearing a Sepultura t-shirt (featuring the iconic Roots ) and declaring her love for Brazilian bands. Her powerful voice features unexpected grooves, often laden with political and personal attitude. The audience expected heavier and more aggressive sounds, but was surprised by the artist's look and attitude.
The artist represents a renewal of the genre, incorporating modern elements without abandoning the style's roots and influences. Ecca delivered one of the festival's best performances, with her original sound and her power to captivate the audience.
311 proves the power of being veterans at a youth festival.
When 311 took the stage, the mood shifted to a more nostalgic sound, especially for fans of Sublime, Red Hot Chili Peppers , and Faith No More . An American band formed in Omaha in 1988, 311 has built a solid career mixing alternative rock with reggae, rap rock, funk, and other elements, something that has set them apart in the alternative scene for over 30 years.
For the first time in São Paulo and with a discography that includes 14 albums, the most recent being Full Bloom (2024), the group performed a 10-song setlist that explored this sonic diversity, alternating new songs while revisiting classics from their repertoire, mainly The Blue Album (1994), responsible for the band's hits. The highlight was their famous version of The Cure's "Love Song" .
With relaxed grooves interspersed with moments of rhythmic intensity that invited the audience to dance and sing along, the performance showcased 311's ability to "make the audience feel part of the sound," thanks to the charismatic presence of vocalist Nick Hexum and DJ/vocalist SA Martinez.
Beyond their historical significance as one of the bands that expanded the boundaries of alternative rock to include Jamaican and funk influences, the group brought to Brazil the unique freshness and nostalgia of the MTV era of the 80s and 90s, uniting generations of fans.
Bullet For My Valentine celebrates 20 years since their debut album.
Bullet For My Valentine's show at LOSERVILLE was anticipated as one of the highlights of the night. Chosen to replace YUNGBLUD , they proved they deserved to be in the lineup from the start – and a large part of the audience agreed. In an interview with Wikimetal , guitarist and founding member Michael “Padge” Paget confirmed: “If the opportunity arises, we have to do it for the fans, it's the most important thing. No matter the sacrifice.” Formed in 1998 in Wales, the group is one of the pillars of metalcore , although they are also veterans of the night. Known for heavy riffs, melodic choruses, and intense lyrics that explore emotional themes.
The band performed their album The Poison (2005) in its entirety, the work that made them famous, celebrating the 20th anniversary of their debut. Bullet For My Valentine has taken this celebration around the world, introducing new fans and long-time fans whose adolescence was marked by the melodic heaviness that is the group's trademark. This album features their greatest classics such as "Tears Don't Fall" and "Waking the Demon," which helped build a loyal fanbase at festivals around the world, and solidified their reputation as one of the most consistent forces in the genre.
On the LOSERVILLE stage, Bullet For My Valentine's presence was marked by visceral energy and devoted fans. The band members delivered a performance that still resonates with contemporary audiences, even after more than two decades in the business. Choosing the band for the festival was spot-on, bringing together many fans who helped create the nostalgic atmosphere and unique vibe of the event.
Check out exclusive photos from our contributor Marcela Lorenzetti:
READ ALSO: Limp Bizkit closes out 2025 in São Paulo with a historic show at Allianz Parque
