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Felipe Andreoli in the music video for "Driven"

Felipe Andreoli in the music video for "Driven". Credit: Reproduction/Facebook

Felipe Andreoli explores the concept of the wheel of life in the music video for "Driven".

The song is part of his first solo album, 'Resonance'.

Recently, Felipe Andreoli released the official music video for "Driven," the first single from his debut solo album, Resonance . The album was released at the end of September through a crowdfunding campaign made possible with the help of fans and features a number of high-profile collaborations, including Kiko Loureiro and Simon Phillips .

The music video for “Driven” was produced by renowned director and filmmaker Leo Liberti , who has previously worked with Angra , Megadeth , and Dee Snider . “All our choices are based on something: passion, fear, hate, love, hope,” reflects the director about the video. “The fact is that if we aren’t aware of this, we become a kind of bobbing toy in life. Every choice always leads to a fork in the road. The video shows this idea poetically, in a graveyard of parade floats, a place where much life and joy once existed.”

“The camera movements are cyclical and make extensive use of this concept from Andreoli's single: the 'wheel,' with 'traces'... The wheel of life, the wheel of fortune, the cycle of life (or karmic cycle) that is written and rewritten every second. Regardless of any more subjective interpretation, 'Driven' is what humans should strive for. To be determined and conscious, a friend of their will. Whoever listens to that voice is capable of anything. And the harvest is always better,” he concludes.

Felipe Andreoli also offered his perspective on the song: “Although it’s quite complex, full of parts, I think it represents a bit of each element well, as it has various dynamics, heavy parts and more ballad-like sections. It has improvisations, phrases, grooves and heavy riffs.” Check out the music video for “Driven” now:

READ ALSO: Aquiles Priester “caused trouble and lost his job” at Angra, explains Felipe Andreoli

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