South African singer Ecca Vandal (who began her career in Australia, where she moved as a child) is attracting attention from the global alternative scene with the release of LOOKING FOR PEOPLE TO UNFOLLOW , her second studio album. The work marks a new phase in the artist's career and deepens the blend of punk, hip-hop, alternative rock, electronica, and pop that has made her one of the most original voices in contemporary music.
In a press release, Ecca Vandal said that the new album is about subtraction, about cutting ties with what drains her energy and distorts her vision: “The systems. The trends. The illusions of connection. I find empowerment in being loud and boisterous, especially as a woman in this global moment who grew up in a culture that told me I couldn’t be those things.”
The result is an intense work, full of personality and diverse influences, showcasing Ecca Vandal's ability to defy labels and conventions. For those unfamiliar with her work, this is the ideal time to delve into her discography.
A more intimate and "offline" album
The concept of LOOKING FOR PEOPLE TO UNFOLLOW revolves around the search for authenticity in a world dominated by distractions and superficial connections. The lyrics address themes such as identity, social pressure, self-knowledge, and mental health, always from a critical and contemporary perspective.
Throughout the tracks, Ecca Vandal transforms personal experiences into universal reflections, creating an album that speaks directly to a generation accustomed to living connected all the time. During the composition and recording of the album, the artist remained completely offline. “I didn’t need to keep anyone informed about what we were doing. I sought a true connection and tried to combat the false sincerity of the online world,” Ecca said in an interview with The Guardian. These recording sessions revealed her “at her most lyrically authentic moment ever.”
Ecca's idea is for fans to connect with the entire album. During the songwriting process, she said she realized that "the world was obsessed with 15-second snippets. For me, that was really demotivating. I just wanted to celebrate long-form music again."
Influences ranging from jazz to hardcore punk
One of the most fascinating aspects of the artist is the variety of references present in her music. Before gaining prominence in the alternative scene, Ecca studied jazz, a background that can still be perceived in her vocal approach and creative freedom. Ecca Vandal's story also helps explain her artistic uniqueness. Born in South Africa to Sri Lankan parents and raised in Australia, she built a musical identity influenced by different cultures and experiences. In an interview with The Guardian, the artist recalled always being the only child of her color in school. "It was a constant search for a place where I fit in," she confessed.
At the same time, his sound incorporates elements of punk, hip-hop, alternative rock, and electronic music. This combination makes his work appealing to both fans of experimental artists and listeners of heavier bands. Ecca stands out for his ability to unite the energy of punk with the fluidity of genres traditionally distant from each other. In recent reviews, publications such as Pitchfork and NME have pointed to the sonic versatility of LOOKING FOR PEOPLE TO UNFOLLOW as one of its main distinguishing features.
Explosive shows that won over the Brazilian public
Beyond her albums, Ecca Vandal has built her reputation through electrifying live performances. Her stage presence combines the aggression of punk, the attitude of alternative rock, and the energy of an artist accustomed to transforming each show into an intense experience.
Throughout her career, she has shared the stage or toured with big names like Deftones, Queens of the Stone Age, Limp Bizkit, IDLES, Incubus and The Prodigy, and recently made her debut at the Coachella.
In December 2025, the singer also toured Brazil with the LOSERVILLE TOUR , conceived by Limp Bizkit, an opportunity that allowed the Brazilian public to experience firsthand the power of her stage presence. For the first time in Brazil, Ecca Vandal brought a contagious stage presence and showed an affinity for Brazilian metal by wearing a Sepultura t-shirt (featuring the iconic Roots cover ) and saying that she loves Brazilian bands.
During the show, Ecca Vandal showcased her powerful voice, which features unexpected grooves, often imbued with political and personal attitude. The audience was expecting heavier and more aggressive sounds, but was surprised by the artist's visual presentation and attitude.
At a time when many musicians seek to fit into trends, Ecca Vandal follows the opposite path. Her new album embodies precisely this stance. Instead of replicating successful formulas, the singer bets on experimentation and creative freedom.
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