Text by: Wellington Penilha
In September, Brazil will host two world-renowned extreme metal powerhouses. Behemoth and Deicide will share the stage in Curitiba, Brasília, Belo Horizonte, Rio de Janeiro, and São Paulo in a brutal encounter between the theatrical black metal of the Polish band and the merciless death metal of the Americans, which can be considered one of the heaviest tours of the year in Brazil.
What to expect from the Behemoth show
Known for their theatrical shows, ritualistic atmosphere, and brutal sound that blends the best of black and death metal, Behemoth , the band led by Nergal, is one of the most respected in the world of extreme metal. Check out 5 memorable moments to expect from the show:
The ritualistic opening with “Ora Pro Nobis Lucifer”
There's nothing better than starting a Behemoth show with a direct invocation of chaos. “Ora Pro Nobis Lucifer”, from the album The Satanist , usually opens the band's performances with smoke, torches, and an atmosphere that looks more like a profane cult than a concert. It's that moment when the audience enters a trance and knows that the ritual has begun.
“Conquer All” and the crowd participation:
An absolute classic from the album Demigod , “Conquer All” is one of the most anticipated songs of the night. The sharp riff and the chorus shouted in unison make it one of the highlights of the interaction with the audience. Nergal loves to provoke the crowd, raise his arms and command the masses like a maestro from hell.
The dark theatricality of “Bartzabel”
When it’s time for “Bartzabel,” the mood changes. Slower, but laden with weight and symbolism, this track from I Loved You at Your Darkest is a mystical invocation in musical form. Nergal assumes almost a priestly persona, while red lights and smoke create a hypnotic atmosphere.
The insane performance of “Ov Fire and the Void”
If you want brutality and pure energy, “Ov Fire and the Void” will deliver. The band's fast pace and precision live make this one of the most intense songs in the set. It's common to see the crowd going wild and opening up giant mosh pits in the middle of the dance floor.
The grand finale with “Chant for Eschaton 2000”
Nothing could be more fitting than ending with an anthem from the Satanica . “Chant for Eschaton 2000” is a true mantra of chaos and closes Behemoth shows like a battle cry. The finale usually features an explosion of lights, sound, and fire that leaves anyone mesmerized.
What to expect from the Deicide show
Led by the iconic (and always controversial) Glen Benton , the American band Deicide always delivers a straightforward, sonic sound, amplified blasphemy, and riffs that earn the utmost respect from death metal fans. Here are 5 moments that will mark this profane mass:
“Once Upon the Cross” and the ritualistic introduction.
Anyone who has seen Deicide live knows: they usually start with a dense atmosphere, low lighting, and guttural sounds invading the space like a harbinger of chaos. “Once Upon the Cross” is one of the songs chosen to open the setlist, with its dragging heaviness and sacrilegious mood. The title track from the 1995 classic remains an anthem for devotees of extreme metal.
Glen Benton staring at the crowd with a demonic gaze.
One of the most anticipated moments at any Deicide show is simply… watching Glen Benton stare down the crowd. Known for the inverted cross burned into his forehead, the vocalist is a presence that commands respect. Don't expect long speeches or smiles: he shouts, growls, and stares intensely. The interaction with the audience is based more on sonic brutality than words.
“Dead by Dawn” gets the mosh pits going.
This is one of those songs that, as soon as it starts, you know: it's time for the mosh pit. “Dead by Dawn” is one of the band's greatest classics, with cutting riffs and a chorus that's almost sung in unison by anyone who's known the band since its beginnings. Chaos is guaranteed.
Steve Asheim's brutal precision on the drums.
The only constant member of the original lineup along with Benton, Steve Asheim is a monster on the drums. Watching the guy unleash blast beats with mechanical precision is almost hypnotic. During "Serpents of the Light" or "Scars of the Crucifix," expect passages where the drum sound is like a machine gun summoning the abyss.
“Homage for Satan” and the unforgettable closing track
. Few bands can end a show with such power. “Homage for Satan” is provocative even in its name, and live it becomes a true battle cry of the underground. When it enters the set, the atmosphere reaches the peak of insanity. Red lights, raw vocals, and a trance-like audience: it's the perfect ending to a night in which the Earth, for a few hours, will be dominated by Deicide.
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